Turkish Delights

I had the pleasure of traveling around Eastern Turkey last month with a small group of fellow rug cleaners. We signed up through ARCS (Association of Rug Care Specialists) and were treated to a real insiders reveal of the rug industry. We spent a good two weeks touring from one weaving village to the next meeting with weavers, rug dealers, wool dyers and specialist, rug washers, rug restoration facilities. The list goes on and on.

I chose to purchase a number of unique new pieces for our showroom in Toronto, which all share two important qualities – they are unique and extremely well made.

The rug displayed below is new production using vibrant vegetable dyes to modernize its antique Heriz pattern. The extra-wide cobalt-blue border is why I was drawn to the piece. It forces your eye to take in the entire rug from top to bottom, corner to corner instead of focusing on a center medallion (which is definitely not the case here).

Hand knotted with hand spun wool and all-natural vegetable dyes. Woven in Eastern Turkey. 9.09′ x 12.7′

All About Abrash

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What the heck is abrash anyway?

It’s a term you need to know if you own a rug or are thinking of buying one. First of all, abrash is not necessarily a defect. It’s part of every rug and is now actually applied intentionally to new rugs to make them look old or antiqued. A good example of something “new, but old looking” is the rug featured in my previous post The Ardor of Agra.

Abrash naturally occurs in rug weaving and is a result of the weavers using the same colour of wool that comes from a different dye lot or dye batch.

For a better understanding, imagine the weaver using red to fill in the field. When their ball of yarn runs out they need to start another and then another after that. Those balls of yarn may or may not have been dyed in the same vat of red and may not have been dyed exactly the same way.

Even though their dye recipe for blue is the same, there’s always a factor that isn’t identical from one lot to the next. Maybe the person mixing the dye has a heavy pour versus the guy the week before. Perhaps the wool was a little drier or it was a rainy day adding more moisture in the air.

Freshly dyed wool drying in the sun

These small variations can change the chemistry of dying ever so slightly causing each dye lot to react differently over time to sun, oxygen, cleaning and general use.

Abrash always travels across the width of the rug from left to right because this is how we weave rugs. Abrash always looks linear and never curved.

Abrash travels across the width of the rug fromleft to right.

Here’s an example of a hundred year old Persian Afshar with abrash:

Antique Afshar

Find the abrash!

It’s all over the rug, but in this case it looks like it’s part of the design and in my opinion adds beautiful character.

Here is a close up. You can see colour variations in the rust board, but especially in the blue field. Notice the abrash travels in a straight line across the width of the rug.

When this rug was originally created, the colours would have looked solid and very uniform. The abrash usually appears over time.

Sometime rug washing can remove weak dyes and reveal abrash after a cleaning. While this is not as common, it can happen and now you know why. In the case of the antique Afshar, the abrash would have been revealed over many years through sun exposure etc.

I always believe the beauty of a rug lies within its imperfections -  it’s usually something a little out of the ordinary that makes something (or someone) gorgeous in the eyes of the beholder.

The Ardor of Agra

As seen in this month’s Design Lines Issue..

9 x 12 Woven in Agra, India

We fell in love with this gorgeous rug from Agra, India the moment we first laid eyes on it. We love the soft colour palette of blues, greens and golds bringing a sense of tranquility and calm to the eye. These colours reflect a spring-like feel, which is perfect for this time of year.

Even though this is a new rug, it looks antiqued. The weaver achieved this by incorporating faux abrash, which is the variation within the same colour. You’ll notice different shades of golds or greens, for example that vary across the width of the rug. This is abrash.  The rug was finished with a tea wash that provides that golden hue and overall antiqued look.

The weaver used only soft organic wool and all-natural vegetable dyes (versus synthetic) to achieve those gentle hues and its incredible softness.  The pattern itself is interesting worth noting because the weaver chose to copy a unique design that was the brain child of the infamous Master Weaver Haji Jalili who dominated the industry back in the late 1800s. (more on the famous artist later).

The modern colour palette and Faux Abrash gives this rug a modern edge. We love the even flow of this overall pattern design.

What I love about the design and what makes this piece unique is the symmetrical pattern that does include a traditional central medallion – a pattern also known as an Overall Pattern Design.

Your eye is able to take in the entire rug at at a glance. The lack of a central-medallion also makes it much easier to design and decorate a room.

Welcome to the Turco Persian Rug Company blog

Hide & Seek at Turco Persian, 1983

Hide & Seek at Turco Persian, 1983

Welcome to the first official post for the Turco Persian Rug Company Blog. This blog is dedicated to the amazing world of rugs – from how they are made to the story behind the craftsmanship; how to care for them and how to buy them. When I joined my father in this family business I knew two things. I’m incredibly lucky to have the opportunity to carry on my family’s legacy – a 106 rug company operating from the same location in downtown Toronto; and that I have a long way to go before I can consider myself an expert in this industry.

I grew up surrounded by rugs, wool, and intricate patterns that literally hung from the rafters in my parents’ home. I’ve always been able to appreciate a beautiful piece, but I have a lot to learn when it comes to the details.

I’m now three years in the business and I can honestly say that I have scratched the service of this complex industry. I have read countless articles, attended numerous classes and many seminars all over North America and soon Eastern Europe.

My journey has just begun. What I’ve learned so far is fascinating and definitely worth sharing.

Jessica Kasparian

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